A theatre programme does not end with the final curtain call. It becomes the object that brings the audience back to the experience, allowing time to add new layers of meaning rather than erase it. For Alcestis at the Ancient Theatre of Epidaurus, the programme accompanies a production by the National Theatre of Greece, one of the country's foremost cultural institutions. It does not seek to explain the performance. Instead, it extends it, creating space for the texts, the artists, and the reflections that linger long after the curtain falls. The white paper plays a quiet supporting role. It does not demand attention; it offers clarity, longevity, and a restrained material presence that allows the content to remain alive.